Wizkid although started this music journey with his group of friends in church at that time they released a music project. Sooner or later the music group he formed crashed.
In 2008, he met with now late producer, OJB who prevented him from recording a studio song for a year. OJB later went to his home to plead with his parents to allow him make music. While being close to OJB, Wizkid watched then biggest artist like 2Baba, Sound Sultan record their music projects in OJB’s studios.
Wizkid was mentored and coached by then popular rapper, Naeto C.
Wiz for sometime was a studio rat. In 2009, the door finally opened for him. He inked a recording deal with Bankole Wellington a.k.a Banky W’s Empire Mates Entertainment after he co-wrote “Omoge You Too Much”, a song from Banky W.’s [i]The W Experience[/i] album.
Way before the deal happened, Wizkid worked with Naeto C, Ikechukwu and M.I while developing his craft. He then dropped out of Lagos State University and got admitted to Lead City University but later left after completing two sessions.
In 2010, he dropped his debut song which later turned to a massive hit under Empire Mates Entertainment, “Holla At Your Boy. That song later bagged him the highly covered Next Rated award at that year’s Headies Award.
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Damini Ebunoluwa Ogulu (born 2 July 1991), known professionally as Burna Boy, is a Nigerian singer and songwriter. He rose to prominence in 2012 after releasing “Like to Party”, the lead single from his debut studio album L.I.F.E (2013). In 2017, Burna Boy signed with Bad Habit/Atlantic Records in the United States and Warner Music Group internationally. His third studio album Outside (2018) marked his major-label debut. In 2019, he won Best International Act at the 2019 BET Awards. He was also announced as Apple Music’s Up Next artist. His fourth studio album African Giant was released in July 2019.
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folk song, music of anonymous composition, transmitted orally. The theory that folk songs were originally group compositions has been modified in recent studies. These assume that the germ of a folk melody is produced by an individual and altered in transmission into a group-fashioned expression.
National and ethnic individuality can be seen in folk music, even in the case of songs transplanted from one country to another. There is scarcely any people whose folk song is wholly indigenous, and among notable cases of transplanting is the English ballad found in various parts of the United States.
Many of these were collected in the late 19th cent. by Francis Child and in the early 20th cent. by Cecil Sharp. In addition, many American folk songs are of other European or African origin. Americans occasionally consider as folk songs certain songs of traceable authorship, e.g., “Dixie.”
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baroque, in music, a style that prevailed from the last decades of the 16th cent. to the first decades of the 18th cent. Its beginnings were in the late 16th-century revolt against polyphony that gave rise to the accompanied recitative and to opera.
With opera and recitative came the figured bass, used consistently in ensemble music throughout the baroque era. Renaissance polyphony persisted, however, being called the stile antico and considered more appropriate to the church than the nuove musiche.
The baroque period was thus one of stylistic duality; it was an era that displayed emotional extremes (see romanticism). By the end of the era major and minor tonality had replaced the church modes. Contrapuntal writing was resumed in the middle baroque period, but it now had a harmonic basis.
Idiomatic writing, taking account of the individual character and capacities of instruments and voices, was characteristic of baroque music. Originating in Italy, opera, oratorio, and cantata were the principal vocal forms. In instrumental music the sonata, concerto, and overture were creations of the baroque.
In France and Italy the baroque had by 1725 been overshadowed by its outgrowth, the rococo, and it remained for Germany, where the baroque saw the flowering of Protestant church music, to bring the era to culmination in the works of J. S. Bach. The fugue, chorale prelude, and toccata were important forms of the late baroque.
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Classical music refers to a style of music based in the European tradition of music, both secular and liturgical. The term has come to characterize music that is viewed as an art form rather than as entertainment or serving some other subsidiary function.
As with most Western music, classical music is generally in written form, using staff notation, such that the performance (i.e., pitch, speed and meter) of a piece is a literal interpretation, and improvisation or embellishment by the artist is limited.
Other qualities attributed to classical music include the use of a variety of orchestral instruments (e.g., piano, violin, clarinet), the use of intricate form and composition, an advanced technical proficiency in its artistic performance and exclusivity in taste and appeal.
Classical music is often described in terms of the historic period of its composition with the Medieval (6th through 15th centuries) and Renaissance (15th through 17th centuries) periods describing the Early Era, and the Baroque (1600–1750), Classical (1750–1830) and Romantic (1815–1910) eras delineating the Common Practice Period.
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